The
only square to which one of the
numerous gates of the Grand Bazaar
open is the Beyazıt Square. This important
square owes its fame past and present,
to the presence of the Grand Bazaar.


Being
one of the most important political and historical sites of Istanbul, Beyazıt
Square due to its numerous important historical buildings, is one the most popular
sites for old time photographers in the past. Being the location of the General
Staff of the Ottoman Empire (Daire-i Umur-ı Askeriye) and presence of the two
largest trade centres. the Grand Bazaar and the Sandal Bedesten, has made this
neighbourhood one of the most frequented places for those who visit Istanbul.
Etchings of the place can be found in books printed before the invention of
photography. After the invention of photography, photographs of the square have
been taken in abundance and ample postcards made.
Beyazıt Square has witnessed numerous historical events. Being a political centre
during the Ottoman times, Beyazıt became an important cultural centre after
the foundation of the Republic, housing the oldest university of the country,
the Istanbul University.
The Istanbul University and the cultural sites in the neighbourhood such as
Municipality Library, Beyazıt Public Library, Turkish Studies Institute, have
made this area where the scientists, men of letters and philosophers have lived
or often visited.
Besides its political and cultural importance, one of the special features of
Beyazıt was its direct connection to the Grand Bazaar, the centre of domestic
and international trade of the Ottoman Empire. The Grand Bazaar is still the
most important trading centre of Istanbul. All these special features have made
Bayazıt a major place of intense interest. All travellers who visited Beyazıt
and Grand Bazaar, -and all photographers, including James Robertson- have photographed
the Beyazıt Square and its neighbourhood. Being one of the most photographed
regions of Istanbul, there are hundreds of postcards made of Beyazıt and its
surroundings.
The first photographs of Beyazıt and its neighbourhood were taken by James Robertson,
who visited Istanbul between 1850 and 1860. Like most photographers, Robertson
climbed the Beyazıt Fire Tower and took panoramic photographs of the region,
including the square, the Grand Bazaar, the General Staff Headqurters and the
Beyazıt Complex. The visual material taken by the travellers and photographers,
became trading objects as postcards became part of daily life. Many publishers
have produced postcards of photographs taken by artists such as Pascal Sabah,
Guillaume Berggren, Apollon, Abdullah Frères and Basil Kargoupulo. Famous postcard
publisher Max Fruchtermann published 40 postcards of Beyazıt and its neighbourhood.
Fruchtermann also published and sold 10 Grand Bazaar postcards. Besides Max
Fruchtermann who has published around 50 postcards in total,

various
postcard publishers such as Ludvigshon Frères, Joseph N. Mitrani, Römmler Dresten,
İpekdji Frères, Zellich Frères, Georges Papatoine, M. Israelowitz, F. Loeffler
have each published tens of postcards showing the Grand Bazaar, Beyazıt and
their environment. We know that some scenes were published over and over by
different publishers. Considering Beyazıt and its neighbourhood have undergone
tremendous changes during the past hundred years, a postcard collection
showing all those changes would indeed be very valuable.
Beyazıt Square had to face several improvements (!) such as expropriations
followed by demolitions. Formerly a small square surrounded by dwellings and
trade centres, these so called improvements turned the place into a vast but
empty square. Being so spacious, for a period of time, it was even called
as the "Square of Liberty". One of the unchanging parts of this
region is the Beyazıt Door of the Grand Bazaar and its surrounding neighbourhood.
The Beyazıt Gate of the Grand Bazaar surrounded with historical buildings
such as public fountain near the tram station, the boys school now used as
Hakkı Tarık Us library, has a visuality that has not changed for a hundred
years.
Postcards showing the interior of the Grand Bazaar are very rare. It's very
difficult to make a collection of these postcards which are documents both
for the restoration and history of the Grand Bazaar. It is very important
to understand the social life in the old Grand Bazaar.
It
therefore is essential to collect and publish such postcards and pictures.Most
of the Beyazıt Square postcards are similar. Even though they are published
by different publishers, especially the ones showing the arched entrance of
the General Staff Headquarters, which today is the gate of the Istanbul University,
are almost duplicates. Some of the photographs that exhibit the changes are
those taken at the location which is the garden of the University now.
These
postcards show that, while it was an empty location where the soldiers went
on beat during the Ottoman period, the square gradually have been afforested
and turned into a vast green area after the republic.
Since the postcards of Beyazıt and the neighbourhood have not been collected
completely, at this stage it is too early to reach a conclusion . But we can
say that the Beyazıt Square and its neighbourhood are one of the most photographed
regions in Istanbul.A collection, classification and ensuing exhibition of photographs
and postcards of Beyazıt Square which is one of the most important squares of
Istanbul would be an important documentation and a source of pleasure for those
who uhdertake such a worthy task.